Triggered by the need to use music in its various functional and expressive possibilities, Lorenz Dangel has consciously chosen a broad field of work. His affinity to the narrative and the dramatic is evident in his concertante works as well as in his theatre projects and classical works. At the same time, his roots in classical music and his curiosity for the experimental influence his work in the field of film music.
Lorenz Dangel has written music for numerous movies, including
Der Räuber (Competition entry of the Berlinale 2010),
Hell (German Film Award 2012 in the category "Best Music"),
Ich und Kaminski (nominated for the German Film Award 2016),
Lykke Per (nominated for the Danish Film Prize 2019) and
Deutschstunde (nominated for the Film Prize 2020)